I have taken scales from off
The cheeks of the moon.
I have made fins from bluejays’ wings,
I have made eyes from damsons in the shadow.
I have taken flushes from the peachlips in the sun.
What is this life if, full of care,
We have no time to stand and stare
No time to stand beneath the boughs
And stare as long as sheep or cows:
No time to see, when woods we pass,
Where squirrels hide their nuts in grass:
No time to see, in broad daylight,
Streams full of stars, like skies at night:
No time to turn at Beauty’s glance,
And watch her feet, how they can dance:
No time to wait till her mouth can
Enrich that smile her eyes began?
A poor life this if, full of care,
We have no time to stand and stare.
W.H.Davies, 1911.
Perhaps like myself you are consumed with dread much of the time these days but just for a moment, let us not think about The Pandemic.
The General and I distracted ourselves over hot cross buns and marmalade the other day by listening to Sir Anthony Hopkins on the radio and he was full of amusing banter and stories from years ago (hanging out with Peter O’Toole and Olivier, that type of thing) but what I really appreciate, always, is when a wise, older person (or anyone, really) makes themselves completely vulnerable and sincerely speaks from the heart. (He notes how easily he cries for example and how “the past is very present” with him these days).
Rather refreshing to hear in a judging, Instagram world.
O round, cool face of forever
float free
for me
Saucer without a teacup
without the tyranny
of tea
Owl eye without a pupil
blind
to contradiction
My white balloon
has lost its string
and me
Round, open mouth
of the goddess
of light
The night sky’s
exclamation:
Oh!
Puppeteer
of tides,
rock the shore of the world
Bright Frisbee
the dog star lost
in the night
Perfect pearl
crown of cornfields
and night watchmen’s hair
Bellybutton
of God
Permission granted to post here by: Pat Schneider, Writing Alone and with others, Oxford Univ.Press, 2003.
I have truly adored this poem since the first time I read it – the descriptions are exquisite and everything about it is full of unselfconscious whimsy and joy. I’ve been a huge fan of Pat Schneider’s work for years now and when I originally emailed her directly to ask permission to eventually put this on the blog, she was supremely gracious and we began a brief bit of back and forth correspondence which was absolutely thrilling to me.